difference between the two species sometimes) everything impresses you with its worst aspect. The knobby woodwork and shiny horse-hair covering of the easy-chair suggest anything but ease. The mirror is smoky. The curtains want washing. The carpet is frayed. The table looks as if it would go over the instant anything was rested on it. The grate is cheerless, the wall-paper hideous. The ceiling appears to have had coffee spilt all over it, and the ornaments—well, they are worse than the wall-paper.
There must surely be some special and secret manufactory for the production of lodging-house ornaments. Precisely the same articles are to be found at every lodging-house all over the kingdom, and they are never seen anywhere else. There are the two—what do you call them? they stand one at each end of the mantelpiece, where they are never safe; and they are hung round with long triangular slips of glass that clank against one another and make you nervous. In the commoner class of rooms, these works of art are supplemented by a couple of pieces of china which might each be meant to represent a cow sitting upon its hind legs, or a model of the temple of Diana at Ephesus, or a dog, or anything else you like to fancy. Somewhere about the room you come across a bilious-looking object, which, at first, you take to be a lump of dough, left about by one of the children, but which, on scrutiny, seems to resemble an underdone Cupid. This thing
