tenth section of the Bhâgavata, but Hindoo literature and daily talk are full of this half-divine, half-human Krishna; and in turning into a religious canticle the loves of "Govinda" and Radha, Jayadeva might be sure that every native audience, present and to come, would understand his matter. The "Gîta" is to this hour very popular in India; but more so, doubtless, because of its melodious versification and its ardent love-pictures than the profound and earnest meanings, for the sake of which this imperfect attempt has been hazarded. Extremely imperfect it is, and for exact Sanskrit scholars (among whose honourable number the Author has very slender claims to rank) of no account at all; yet something, however slight, may perhaps be done towards the closer acquaintance of England and India—an object always dear to the present writer—by this his second effort to popularise Indian classics. With the aid of Lassen (to whose labours and erudite guidance every grateful acknowledgment is here due) this "Song of Songs" goes, for the most part, fairly pace for pace with the Sanskrit text; although much has had to be modified, and the last Sarga omitted, in order to comply with the canons of Western propriety. An English dress cannot—alas!—fail to destroy something
