exacted upon all pictures painted by the old masters, in order to discourage the sale of those in the private collections. I am satisfied, also, that genuine old masters hardly exist at all, in America, because the cheapest and most insignificant of them are valued at the price of a fine farm. I proposed to buy a small trifle of a Raphael, myself, but the price of it was eighty thousand dollars, the export duty would have made it considerably over a hundred, and so I studied on it awhile and concluded not to take it.
I wish here to mention an inscription I have seen, before I forget it:
“Glory to God in the highest, peace on earth to men of good will!” It is not good scripture, but it is sound Catholic and human nature.
This is in letters of gold around the apsis of a mosaic group at the side of the scala santa, church of St. John Lateran, the Mother and Mistress of all the Catholic churches of the world. The group represents the Saviour, St. Peter, Pope Leo, St. Silvester, Constantine and Charlemagne. Peter is giving the pallium to the Pope, and a standard to Charlemagne. The Saviour is giving the keys to St. Silvester, and a standard to Constantine. No prayer is offered to the Saviour, who seems to be of little importance any where in Rome; but an inscription below says, “Blessed Peter, give life to Pope Leo and victory to King Charles.” It does not say, “Intercede for us, through the Saviour, with the Father, for this boon,” but “Blessed Peter, give it us.”
In all seriousness—without meaning to be frivolous—without meaning to be irreverent, and more than all, without meaning to be blasphemous,—I state as my simple deduction from the things I have seen and the things I have heard, that the Holy Personages rank thus in Rome:
First—“The Mother of God”—otherwise the Virgin Mary.
Second—The Deity.
Third—Peter.
Fourth—Some twelve or fifteen canonized Popes.and martyrs.
Fifth—Jesus Christ the Saviour—(but always as an infant in arms.)
