Page:The Innocents Abroad (1869).djvu/642

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INFORMATION ABOUT JAFFA.

timbers used in the construction of Solomon’s temple were floated to Jaffa in rafts, and the narrow opening in the reef through which they passed to the shore is not an inch wider or a shade less dangerous to navigate than it was then. Such is the sleepy nature of the population Palestine’s only good sea-port has now and always had. Jaffa has a history and a stirring one. It will not be discovered any where in this book. If the reader will call at the circulating library and mention my name, he will be furnished with books which will afford him the fullest information concerning Jaffa.

So ends the pilgrimage. We ought to be glad that we did not make it for the purpose of feasting our eyes upon fascinating aspects of nature, for we should have been disappointed—at least at this season of the year. A writer in “Life in the Holy Land” observes:


“Monotonous and uninviting as much of the Holy Land will appear to persons accustomed to the almost constant verdure of flowers, ample streams and varied surface of our own country, we must remember that its aspect to the Israelites after the weary march of forty years through the desert must have been very different.”


Which all of us will freely grant. But it truly is “monotonous and uninviting,” and there is no sufficient reason for describing it as being otherwise.

Of all the lands there are for dismal scenery, I think Palestine must be the prince. The hills are barren, they are dull of color, they are unpicturesque in shape. The valleys are unsightly deserts fringed with a feeble vegetation that has an expression about it of being sorrowful and despondent. The Dead Sea and the Sea of Galilee sleep in the midst of a vast stretch of hill and plain wherein the eye rests upon no pleasant tint, no striking object, no soft picture dreaming in a purple haze or mottled with the shadows of the clouds. Every outline is harsh, every feature is distinct, there is no perspective—distance works no enchantment here. It is a hopeless, dreary, heart-broken land.

Small shreds and patches of it must be very beautiful in the full flush of spring, however, and all the more beautiful by