down these figures and these remarks to suggest the prodigious labor the carving of it so elegantly, so symmetrically, so faultlessly, must have cost. This species of stone is so hard that figures cut in it remain sharp and unmarred after exposure to the weather for two or three thousand years. Now did it take a hundred years of patient toil to carve the Sphynx? It seems probable.
Something interfered, and we did not visit the Red Sea and walk upon the sands of Arabia. I shall not describe the great mosque of Mehemet Ali, whose entire inner walls are built of polished and glistening alabaster; I shall not tell how the little birds have built their nests in the globes of the 
THE MAMELUKE’S LEAP. great chandeliers that hang in the mosque, and how they fill the whole place with their music and are not afraid of any body because their audacity is pardoned, their rights are respected, and nobody is allowed to interfere with them, even though the mosque be thus doomed to go unlighted; I certainly shall not tell the hackneyed story of the massacre of the Mamelukes, because I am glad the lawless rascals were massacred, and I do not wish to get up any sympathy in their behalf; I shall not tell how that one solitary Mameluke jumped his horse a hundred feet down from the battlements of the citadel and escaped, because I do not think much of that—I could have done it myself; I shall not tell of Joseph’s well which he dug in the solid rock of the citadel hill and which is still as good as new, nor how the
