"Fact," said his lordship, nodding. "Mind you, I don't know for certain. As the girl says in the song, I don't know, but I guess. What I mean to say is, they seemed jolly friendly, and all that; calling each other by their first names, and so on."
"Who—?"
"Pitt," said his lordship. He was leaning back, blowing a smoke-ring at the moment, so he did not see the look on the other's face and the sudden grip of the fingers on the arms of the chair. He went on with some enthusiasm.
"Jimmy Pitt!" he said. "Now, there's a feller! Full of oats to the brim, and fairly bursting with go and energy. A girl wouldn't have a dull moment with a chap like that. You know," he proceeded confidently, "there's a lot in this idea of affinities. Take my word for it, dear old—sir. There's a girl up in London, for instance. Now, she and I hit it off most amazingly. There's hardly a thing we don't think alike about. For instance, 'The Merry Widow' didn't make a bit of a hit with her. Nor did it with me. Yet, look at the millions of people who raved about it. And neither of us likes oysters. We're affinities—that's why. You see the same sort of thing all over the place. It's a jolly queer business. Sometimes, makes me believe in re-in-what's-it's-name. You know what I mean. All that in the poem, you know. How does it go? 'When you were a tiddley-om-pom, and I was a thingummajig.' Dashed brainy bit of work. I was reading it only
