"Les Essais de Michel Seigneur de Montaigne," that were printed by Francoise le Febre, of Lyon, in 1595. It is not a beautiful book; the type is small, and rather blunt, but William Drummond of Hawthornden has written on the titlepage his name and his device, Cipresso e Palma. There are a dozen modern editions of Molière more easily read than the four little volumes of Wetstein (Amsterdam, 1698), but these contain reduced copies of the original illustrations, and here you see Arnolphe and Agnes in their habits as they lived, Molière and Mdlle. de Brie as the public of Paris beheld them more than two hundred years ago. Suckling's "Fragmenta Aurea" contain a good deal of dross, and most of the gold has been gathered into Miscellanies, but the original edition of 1646, "after his own copies," with the portrait of the jolly cavalier who died ætatis suae 28, has its own allurement. Theocritus is more easily read, perhaps, in Wordsworth's edition, or Ziegler's; but that which Zacharias Calliergi printed in Rome (1516), with an excommunication from Leo X. against infringement of copyright, will always be a beautiful and desirable book, especially when bound by Derome. The gist of the pious Prince Conti's strictures on the wickedness of comedy may be read in various literary histories, but it is natural to like his "Traite de la Comedie selon la
