from place to place as readily as the household gods of Laban. But the amateur who not only worships but reads books, needs larger receptacles; and in the open oak cases for modern authors, and for books with common modern papers and bindings, in the closed armoire for books of rarity and price, he will find, we think, the most useful mode of arranging his treasures. His shelves will decline in height from the lowest, where huge folios stand at ease, to the top ranges, while Elzevirs repose on a level with the eye. It is well that each upper shelf should have a leather fringe to keep the dust away.
As to the shape of the bookcases, and the furniture, and ornaments of the library, every amateur will please himself. Perhaps the satin-wood or mahogany tabernacles of rare books are best made after the model of what furniture-dealers indifferently call the "Queen Anne" or the "Chippendale" style. There is a pleasant quaintness in the carved architectural ornaments of the top, and the inlaid flowers of marquetry go well with the pretty florid editions of the last century, the books that were illustrated by Stothard and Gravelot. Ebony suits theological tomes very well, especially when they are bound in white vellum. As to furniture, people who can afford it will imitate the arrangements of Lucullus, in Mr. Hill Burton's
