always sent to my good father. At the end of two years, upon my father's entreaty, I returned to Florence, and put myself once more under Francesco Salimbene, with whom I earned a great deal, and took continual pains to improve in my art. I renewed my intimacy with Francesco di Filippo; and though I was too much given to pleasure, owing to that accursed music, I never neglected to devote some hours of the day or night to study. At that time I fashioned a silver heart's-key (chiavaquore), as it was then called. This was a girdle three inches broad, which used to be made for brides, and was executed in half relief with some small figures in the round. It was a commission from a man called Raffaello Lapaccini. I was very badly paid; but the honour which it brought me was worth far more than the gain I might have justly made by it. Having at this time worked with many different persons in Florence, I had come to know some worthy men among the goldsmiths, as, for instance, Marcone, my first master; but I also met with others reputed honest, who did all they could to ruin me, and robbed me grossly. When I perceived this, I left their company, and held them for thieves and blackguards. One of the goldsmiths, called Giovanbattista Sogliani, kindly accommodated me with part of his shop, which stood at the side of the New Market near the Landi's bank. There I finished several pretty pieces, and made good gains, and was able to give my family much help. This roused the jealousy of the bad men among my former masters, who were called Salvadore and Michele Guasconti. In the guild of the goldsmiths they had three big
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