nolo stood up, and said it was the custom to kiss the feet of the Pope and the cheeks of angels; and having done the latter to Diego, the boy blushed deeply, which immensely enhanced his beauty. When this reception was over, we found the whole room full of sonnets, which every man of us had made and sent to Michel Agnolo. My lad began to read them, and read them all aloud so gracefully, that his infinite charms were heightened beyond the powers of language to describe. Then followed conversation and witty sayings, on which I will not enlarge, for that is not my business; only one clever word must be mentioned, for it was spoken by that admirable painter Giulio, who, looking round with meaning[1] in his eyes on the bystanders, and fixing them particularly upon the women, turned to Michel Agnolo and said: "My dear Michel Agnolo, your nickname of crow very well suits those ladies to-day, though I vow they are somewhat less fair than crows by the side of one of the most lovely peacocks which fancy could have painted."
When the banquet was served and ready, and we were going to sit down to table, Giulio asked leave to be allowed to place us. This being granted, he took the women by the hand, and arranged them all upon the inner side, with my fair in the centre; then he placed all the men on the outside and me in the middle, saying there was no honour too great for my deserts. As a background to the women, there was spread an espalier of natural jasmines in full
[ 149 ]
- ↑ Virtuosamente. Cellini uses the word virtuoso in many senses, but always more with reference to intellectual than moral qualities. It denotes genius, artistic ability, masculine force, &c.
