afraid of one thing, and that is of the utmost consequence. Friend Benvenuto, wax is easy to work in; the real difficulty is to execute this in gold/' To those words I answered without a moment's hesitation: "Most blessed Father, if I do not work it ten times better than the model, let it be agreed beforehand that you pay me nothing." When they heard this, the noblemen made a great stir, crying out that I was promising too much. Among them was an eminent philosopher, who spoke out in my favour: "From the fine physiognomy and bodily symmetry which I observe in this young man, I predict that he will accomplish what he says, and think that he will even go beyond it." The Pope put in: "And this is my opinion also." Then he called his chamberlain, Messer Traiano, and bade him bring five hundred golden ducats of the Camera.
While we were waiting for the money, the Pope turned once more to gaze at leisure on the dexterous device I had employed for combining the diamond with the figure of God the Father. I had put the diamond exactly in the centre of the piece; and above it God the Father was shown seated, leaning nobly in a sideways attitude,[1] which made a perfect composition, and did not interfere with the stone's effect. Lifting his right hand, he was in the act of giving the benediction. Below the diamond I had placed three children, who, "with their arms upraised, were supporting the jewel. One of them, in the middle, was in full relief, the other two in half-relief. All round I set a crowd of cherubs, in divers atti-
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- ↑ In un certo bel modo svolto. That means: turned aside, not fronting the spectator.
