had been his brother. A few days later, when the rage of the river was spent, I returned to my workshop, and finished the piece with such good fortune, through God's grace and my own great industry, that it was held to be the finest masterpiece which had been ever seen in Rome.[1]
When then I took it to the Pope, he was insatiable in praising me, and said:" Were I but a wealthy emperor, I would give my Benvenuto as much land as his eyes could survey; yet being nowadays but needy bankrupt potentates, we will at any rate give him bread enough to satisfy his modest wishes." I let the Pope run on to the end of his rhodomontade,[2] and then asked him for a mace-bearer's place which happened to be vacant. He replied that he would grant me something of far greater consequence. I begged his Holiness to bestow this little thing on me meanwhile by way of earnest. He began to laugh, and said he was willing, but that he did not wish me to serve, and that I must make some arrangement with the other mace-bearers to be exempted. He would allow them through me a certain favour, for which they had already petitioned, namely, the right of recovering their fees at law. This was accordingly done; and that mace-bearer's office brought me in little less than 200 crowns a year.[3]
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- ↑ This famous masterpiece was preserved in the Castle of S. Angelo during the Papal Government of Rome. It was brought out on Christmas, Easter, and S. Peter's days.
- ↑ Quella sua smania di parole.
- ↑ Cellini received this post among the Mazzieri (who walked like beadles before the Pope) on April 14, 1531. He resigned it in favour of Pietro Cornaro of Venice in 1535.
