piece he had introduced four little unicorns' heads of a very poor design. When I saw the thing, I could not refrain from laughing gently in my sleeve. The Pope noticed this, and cried: "Here, show me your sketch! "It was a single unicorn's head, proportioned in size to the horn. I had designed the finest head imaginable; for I took it partly from the horse and partly from the stag, enriching it with fantastic mane and other ornaments. Accordingly, no sooner was it seen, than every one decided in my favour. There were, however, present at the competition certain Milanese gentlemen of the first consequence, who said: "Most blessed Father, your Holiness is sending this magnificent present into France; please to reflect: that the French are people of no culture, and will not understand the excellence of Benvenuto's work; pyxes like this one of Tobbia's will suit their taste well, and these too can be finished quicker.[1] Benvenuto will devote himself to completing your chalice, and you will get two pieces done in the same time; moreover, this poor man, whom you have brought to Rome, will have the chance to be employed/' The Pope, who was anxious to obtain his chalice, very willingly adopted the advice of the Milanese gentlefolk.
Next day, therefore, he commissioned Tobbia to mount the unicorn's horn, and sent his Master of the Wardrobe to bid me finish the chalice.[2] I replied that
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- ↑ The word I have translated pyxes is ciborii, vessels for holding the Eucharist.
- ↑ The Master of the Wardrobe was at that time Giovanni Aleotti. I need hardly remind my readers that Guardaroba or wardrobe was the apartment in a palace where arms, plate, furniture, and clothes were stored. We shall find, when we come to Cellini's service under Duke Cosimo, that princes spent much of their time in this place.
