at once. The order had been given for one hour after sunset; accordingly at twenty-three I left in the post for Florence. It seems that when the Corsican showed that he had not pluck enough to do the business as he promised, Signor Pier Luigi on his own authority gave orders to have me taken, merely to stop the mouth of Pompeo's daughter, who was always clamouring to know where her dower had gone to. When he was unable to gratify her in this matter of revenge on either of the two plans he had formed, he bethought him of another, which shall be related in its proper place.
LXXVI
I reached Florence in due course, and paid my respects to the Duke Alessandro, who greeted me with extraordinary kindness and pressed me to remain in his service. There was then at Florence a sculptor called Il Tribolino, and we were gossips, for I had stood godfather to his son.[1] In course of conversation he told me that a certain Giacopo del Sansovino, his first master, had sent for him; and whereas he had never seen Venice, and because of the gains he expected, he was very glad to go there.[2] On his asking
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- ↑ Niccolo de Pericoli a Florentine, who got the nickname of Tribolo in his boyhood, was a sculptor of some distinction. He worked on the bas-reliefs of San Petronio at Bologna, and helped Michel Agnolo da Siena to execute the tomb of Adrian VI. at Rome. Afterwards he was employed upon the sculpture of the Santa Casa at Loreto. He also made some excellent bronze-work for the Medicean villas at Cestello and Petraja. All through his life Tribolo served the Medici, and during the siege of Florence in 1530 he constructed a cork model of the town for Clement VII. Born 1485, died 1550.
- ↑ This is the famous Giacopo Tatti, who took his artist's surname from his master, Andrea da Monte a Sansovino. His works at Florence, Rome, and Venice are justly famous. He died in 1570, aged ninety-three.
