was in silver, and it gave so much satisfaction that the Duke did not hesitate to say they were the best pieces of money in Christendom. The same said all Florence and every one who saw them. Consequently I asked his Excellency to make me appointments,[1] and to grant me the lodgings of the Mint. He bade me remain in his service, and promised he would give me more than I demanded. Meanwhile he said he had commissioned the Master of the Mint, a certain Carlo Acciaiuoli, and that I might go to him for all the money that I wanted. This I found to be true; but I drew my moneys so discreetly, that I had always something to my credit, according to my account.
I then made dies for a giulio,[2] it had San Giovanni in profile, seated with a book in his hand, finer in my judgment than anything which I had done; and on the other side were the armorial bearings of Duke Alessandro. Next I made dies for half-giulios, on which I struck the full face of San Giovanni in small. This was the first coin with a head in full face on so thin a piece of silver that had yet been seen. The difficulty of executing it is apparent only to the eyes of such as are past-masters in these crafts. Afterwards I made dies for the golden crowns; this crown had a cross upon one side with some little cherubim, and on the other side his Excellency's arms. When I had struck these four sorts, I begged the Duke to make out my appointments and to assign me
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