my own satisfaction. However, I finished it, and judged it about the finest specimen I had produced in all the points pertaining to my art. Great was the astonishment of Messer Pietro, who conceived that I should have completed the waxen model in two hours and the steel in ten, when he found that I employed two hundred on the wax, and then was begging for leave to pursue my journey toward France. This threw him into much concern, and he implored me at least to design the reverse for his medal, which was to be a Pegasus encircled with a wreath of myrtle. I performed my task in the space of some three hours, and gave it a fine air of elegance. He was exceedingly delighted, and said: "This horse seems to me ten times more difficult to do than the little portrait on which you have bestowed so much pains. I cannot understand what made it such a labour." All the same, he kept entreating me to execute the piece in steel, exclaiming: "For Heaven's sake, do it; I know that, if you choose, you will get it quickly finished." I told him that I was not willing to make it there, but promised without fail to take it in hand wherever I might stop to work.
While this debate was being carried on I went to bargain for three horses which I wanted on my travels; and he took care that a secret watch should be kept over my proceedings, for he had vast authority in Padua; wherefore, when I proposed to pay for the horses, which were to cost five hundred ducats, their owner answered: "Illustrious artist, I make you a present of the three horses." I replied: "It is not you who give them me; and from the gen-
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