to turn the matter into jest on this exposure of his baseness, I showed him a letter of exchange for five hundred crowns upon Ricciardo del Bene. Then the rascal was ashamed, and wanted to detain me almost by force; but I laughed at him, and took my leave in the company of a painter whom I found there. This man was called Sguazzella:[1] he too was a Florentine; and I went to lodge in his house, with three horses and three servants, at so much per week. He treated me very well, and was even better paid by me in return.
Afterwards I sought audience of the King, through the introduction of his treasurer, Messer Giuliano Buonaccorti.[2] I met, however, with considerable delays, owing, as I did not then know, to the strenuous exertions Rosso made against my admission to his Majesty. When Messer Giuliano became aware of this, he took me down at once to Fontana Bilio,[3] and brought me into the presence of the King, who granted me a whole hour of very gracious audience. Since he was then on the point of setting out for Lyons, he told Messer Giuliano to take me with him, adding that on the journey we could discuss some works of art his Majesty had it in his head to execute. Accordingly, I followed the court; and on the way I entered into close relations with the Cardinal of Ferrara, who had not at that period obtained the hat.[4] Every evening I used to hold long conver-
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- ↑ A pupil of Andrea del Sarto, who went with him to Trance and settled there.
- ↑ A Florentine exile mentioned by Varchi.
- ↑ Fontainebleau. Cellini always writes it as above.
- ↑ Ippolito d' Este, son of Alfonso, Duke of Ferrara; Archbishop of Milan at the age of fifteen; Cardinal in 1539; spent a large part of his life in France.