ing and invention. There are many things beautiful enough in words which do not match together well when executed by an artist." Then I turned to the two scholars and said: "You have spoken, I will do." Upon this Messer Luigi Alamanni smiled, and added a great many witty things, with the greatest charm of manner, in my praise; they became him well, for he was handsome of face and figure, and had a gentle voice. Messer Gabriello Cesano was quite the opposite, as ugly and displeasing as the other was agreeable; accordingly he spoke as he looked. Messer Luigi had suggested that I should fashion a Venus with Cupid, surrounded by a crowd of pretty emblems, all in proper keeping with the subject. Messer Gabriello proposed that I should model an Amphitrite, the wife of Neptune, together with those Tritons of the sea, and many such-like fancies, good enough to describe in words, but not to execute in metal.
I first laid down an oval framework, considerably longer than half a cubit—almost two-thirds, in fact; and upon this ground, wishing to suggest the interminglement of land and ocean, I modelled two figures, considerably taller than a palm in height, which were seated with their legs interlaced, suggesting those lengthier branches of the sea which run up into the continents. The sea was a man, and in his hand I placed a ship, elaborately wrought in all its details, and well adapted to hold a quantity of salt. Beneath him I grouped the four sea-horses, and in his right hand he held his trident. The earth I fashioned like a woman, with all the beauty of form,
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