was far advanced; the two bronze heads were finished. I had also made several little things for the Cardinal of Ferrara, and a small silver vase of rich workmanship, which I meant to present to Madame d'Etampes. Several Italian noblemen, to wit, Signor Piero Strozzi, the Count of Anguillara, the Count of Pitigliano, the Count of Mirandola, and many others, gave me employment also.[1]
For my great King, as I have said, I had been working strenuously, and the third day after he returned to Paris, he came to my house, attended by a crowd of his chief nobles. He marvelled to find how many pieces I had advanced, and with what excellent results. His mistress, Madame d'Etampes, being with him, they began to talk of Fontainebleau. She told his Majesty he ought to commission me to execute something beautiful for the decoration of his favourite residence. He answered on the instant:
"You say well, and here upon the spot I will make up my mind what I mean him to do." Then he turned to me, and asked me what I thought would be appropriate for that beautiful fountain.[2] I suggested several ideas, and his Majesty expressed his own opinion. Afterwards he said that he was going to spend fifteen or twenty days at San Germano del Aia,[3] a place twelve leagues distant from Paris; during his absence he wished me to make a model for
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- ↑ Anguillara and Pitigliano were fiefs of two separate branches of the Orsini family. The house of Pico lost their lordship of Mirandola in 1536, when Galeotto Pico took refuge with his sons in France. His descendants renewed their hold upon the fief, which was erected into a duchy in 1619.
- ↑ Per quella bella fonte. Here, and below:, Cellini mixes up Fontainebleau and the spring which gave its name to the place.
- ↑ S. Germain-en-Laye is not so far from Paris as Cellini thought.
