to the whole design, and of a very graceful form. In his right hand he raised a broken lance on high; his left hand rested on a scimitar; he was poised upon the left foot, the right being supported by a helmet of the richest imaginable workmanship. At each of the four angles of the fountain a figure was sitting, raised above the level of the base, and accompanied by many beautiful and appropriate emblems.
The King began by asking me what I meant to represent by the fine fancy I had embodied in this design, saying that he had understood the door without explanation, but that he could not take the conception of my fountain, although it seemed to him most beautiful: at the same time, he knew well that I was not like those foolish folk who turn out something with a kind of grace, but put no intention into their performances. I then addressed myself to the task of exposition; for having succeeded in pleasing him with my work, I wanted him to be no less pleased with my discourse. "Let me inform your sacred Majesty," I thus began, "that the whole of this model is so exactly made to scale, that, if it should come to being executed in the large, none of its grace and lightness will be sacrificed. The figure in the middle is meant to stand fifty-four feet above the level of the ground." At this announcement the King made a sign of surprise. "It is, moreover, intended to represent the god Mars. The other figures embody those arts and sciences in which your Majesty takes pleasure, and which you so generously patronise. This one, upon the right hand, is
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