works of the sculptor's craft. "To this suggestion the Duke replied: "Go forward; I will see;" but he never supplied me with conveniences or aid of any kind.
One day his most illustrious Excellency handed me several pounds weight of silver, and said: "This is some of the silver from my mines;[1] take it, and make a fine vase." Now I did not choose to neglect my Perseus, and at the same time I wished to serve the Duke, so I entrusted the metal, together with my designs and models in wax, to a rascal called Piero di Martino, a goldsmith by trade. He set the work up badly, and moreover ceased to labour at it, so that I lost more time than if I had taken it in hand myself. After several months were wasted, and Piero would neither work nor put men to work upon the piece, I made him give it back. I moved heaven and earth to get back the body of the vase, which he had begun badly, as I have already said, together with the remainder of the silver. The Duke, hearing something of these disputes, sent for the vase and the models, and never told me why or wherefore. Suffice it to say, that he placed some of my designs in the hands of divers persons at Venice and elsewhere, and was very ill served by them.
The Duchess kept urging me to do goldsmith's work for her. I frequently replied that everybody, nay, all Italy, knew well I was an excellent goldsmith; but Italy had not yet seen what I could do in sculpture. Among artists, certain enraged sculptors laughed at me, and called me the new sculptor. "Now
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- ↑ Cosimo's silver mines were at Campiglia and Pietrasantra. He worked them, however, rather at a loss than profit.
