like an artist; for if your Excellency understood my trade as well as you imagine, you would trust me on the proofs I have already given. These are, first, the colossal bronze bust of your Excellency, which is now in Elba;[1] secondly, the restoration of the Ganymede in marble, which offered so many difficulties and cost me so much trouble, that I would rather have made the whole statue new from the beginning; thirdly, the Medusa, cast by me in bronze, here now before your Excellency's eyes, the execution of which was a greater triumph of strength and skill than any of my predecessors in this fiendish art have yet achieved. Look you, my lord! I constructed that furnace anew on principles quite different from those of other founders; in addition to many technical improvements and ingenious devices, I supplied it with two issues for the metal, because this difficult and twisted figure could not otherwise have come out perfect. It is only owing to my intelligent insight into means and appliances that the statue turned out as it did; a triumph judged impossible by all the practitioners of this art. I should like you furthermore to be aware, my lord, for certain, that the sole reason why I succeeded with all those great and arduous works in France under his most admirable Majesty King Francis, was the high courage which that good monarch put into my heart by the liberal allowances he made me, and the multitude of workpeople he left at my disposal. I could have as many as I asked for, and employed at times above forty, all chosen by myself. These were the causes of my
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- ↑ At Portoferraio. It came afterwards to Florence.
