ser Baccio del Bene to our Duke for a loan of money, which the Duke very graciously supplied, as rumour went. Messer Baccio del Bene and I had been intimate friends in former times; so when we renewed our acquaintance in Florence, we came together with much mutual satisfaction. In course of conversation he related all the favours shown him by his most illustrious Excellency, and asked me what great works I had in hand. In reply, I narrated the whole story of the Neptune and the fountain, and the great wrong done me by the Duchess. He responded by telling me how her Majesty of France was most eager to complete the monument of her husband Henri II., and how Daniello da Volterra[1] had undertaken a great equestrian statue in bronze, but the time had already elapsed in which he promised to perform it, and that a multitude of the richest ornaments were required for the tomb. If, then, I liked to return to France and occupy my castle, she would supply me with all the conveniences I could ask for, provided only I cared to enter her service. These proposals he made on the part of the Queen. I told Messer Baccio to beg me from the Duke; if his most illustrious Excellency was satisfied, I should very willingly return to France. He answered cheerfully:" We will travel back together!" and considered the affair settled. Accordingly, next day, in course of conversation with the Duke, he alluded to myself, declaring that if his Excellency had no objection, the Queen would take me into her employ. The Duke replied without a moment's hesitation:" Ben-
[ 344 ]
- ↑ This painter is chiefly famous for his "Descent from the Cross" in the Church of the Trinita de' Monti at Rome. He died in 1566.
