INDEX
| Cagli, Benedetto da, judge in criminal cases, ii. 6, 47. |
| Camera Apostolica, the Roman Exchequer, i. 124n.; ii. 9. |
| Camerini, Eugenio, editor of Cellini's autobiography, i. 57. |
| Capitolo, Cellini's, written in the castle of Sant' Angelo, ii. 55,60, 72, 75, 77-83, 87. |
| Capua, Archbishop of, i. 195. |
| Caradosso, a maker of medals, i. 134, 154, 197. |
| Carmine, the Chapel of the, fresco painting in, by Masaccio, i. 98 n. |
| Carnesecchi, Piero, i. 270. |
| Caro, Annibale, a distinguished writer, i. 17, 207, 261, 303, 307. |
| Carpani, Gio. Palamede, editor of Cellini's autobiography, i. 57. |
| Carpi, Giacomo da, a physician, i. 138; his treatment of the "French disease," i. 139; a connoisseur in the arts of design, i. 139; imposes on the Duke of Ferrara, i. 140. |
| Carucci da Pontormo, Jacopo, painter, praises Cellini's Perseus, ii. 295. |
| Castel del Rio, Mona Fiore da, Cellini's housekeeper, ii. 262. |
| Castoro, Francesco, a goldsmith, gives Cellini work, i. 87. |
| Castro, Duke of. See Farnese, Pier Luigi. |
| Caterina, Cellini's model and mistress, ii. 156-158, 160, 161,167-172,176. |
| Cavalletti, Scipione, Bolognese illuminator, i. 89. |
| Cellini, Andrea, Benvenuto's grandfather, i. 72, 75. |
| Cellini, Benvenuto, a kind of Steinbock, xi; his garrulity and impulsiveness, xii; his autobiography his best monument, xii; his failure to catch the true spirit of the Renaissance, xiv; a great goldsmith, but not of the line of the best creative artists, xv; secret of his limitations, xvii; his faculty of appreciation, xvii; compared with the master spirits of the Renaissance, xviii; his bust of Bindo Altoviti a work of great merit, xx; aspires to rival |
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