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THE LIFE OF WILLIAM MORRIS
[1881

of five and twenty years back) was now as before possible—was more possible than ever now, when his business as a manufacturer and decorator was firmly established and capable of large expansion. Just at this time he was carrying out decorations on a large scale at St. James's Palace, which included the hanging of the Throne and Reception rooms with specially designed silk damask, the hand-painting of the ceilings and cornices, and the designing of a special paper for hanging the main staircase. This work was, of course, very widely known; and it had attracted not merely additional attention, but additional respect, to the unique quality of his design and workmanship as a decorator. He had only to accept ordinary commercial conditions and use them for what they were worth, to become a wealthy man, who might live where he chose, and surround himself with a sort of barbed wire fence of beautiful objects. This was just what he would not do: nor would he consent to the less distasteful compromise of giving up the conditions of active production to settle down in quietness at his beloved Kelmscott. The actual problem of civilization, as it was focussed and concentrated in the welter of London, drew him towards it with an invincible attraction; and upon senses always acutely open, and a brain that never ceased sounding among the bases of things, there fell with ever increasing urgency the cry of a bewildered and unhappy people—confusæ sonus urbis et illætabile murmur.