other parts the house was crowded to excess, upon his bench no soul would sit: and he created as much superfluity of room as he had found at the Golden Sow. At length the manager waited upon him, and requested that he would either retire from the theatre, or that he would explain what could have induced him to make his appearance in a costume which had spread alarm and anxiety through the public mind; and which was likely to do a serious injury to the receipts of the night.
At this moment several children began to cry—taking him for black[1] Robert. The consequence was, that, as they could not be pacified, the first scene was mere dumb show to the audience; and some giddy young people set up a loud “off, off, Dreadnought!” which cry was instantly seconded by the public. Nevertheless, as the Princess at that instant entered her box, Mr. Schnackenberger, however hard pressed, thought it became him to maintain his post to the last extremity. This extremity forthwith appeared in the shape of three armed soldiers, who, on behalf of the police, took him into custody. Possibly Mr. Jeremiah might have shown himself less tractable to the requests of these superannuated antiquities—but for two considerations; first, that an opportunity might thus offer of exchanging his dreadnought for a less impressive costume; and, secondly, that in case of his declining to accompany them, he saw signs abroad that a generous and enlightened public did very probably purpose to kick him out; a conjecture which was considerably strengthened by the universal applause which attended his exit at quick time.
Mr. Schnackenberger was escorted by an immense retinue of old street-padders and youthful mudlarks to the city goal. His own view of the case was, that the public had been guilty of a row, and ought to be arrested. But the old Mayor, who was half-deaf, comprehended not a syllable of what he said: all his remonstrances about “pressing business” went for nothing: and, when he made a show of escaping upon seeing the gloomy hole into which he was now handed, his worship threatened him with drawing out the city guard.
From one of this respectable body, who brought him straw to lie upon, and the wretched prison allowance of food, he learned that his examination could not take place that day nor even the next; for the next was a holiday, on which Mr. Mayor never did any business. On receiving this dolorous information, Mr. Schnackenberger’s first impulse was to knock down his informant and run away: but a moment’s consideration satisfied him—that, though he might by this means escape from his cell, he could have no chance of forcing the prison gates.
CHAPTER XVI.
In what way Mr. Jeremiah escapes; and what he finds in the street.
A most beautiful moonlight began at this juncture to throw its beams in the prison, when Mr. Schnackenberger, starting up from his sleepless couch, for pure rage, seized upon the iron bars of his window, and shook them with a fervent prayer, that instead of bars it had pleased God to put Mr. Mayor within his grasp. To his infinite astonishment, the bars were more obedient to his wrath than could have been expected. One shake more, and like a row of carious teeth they were all in Mr. Schnackenberger’s hand.
It may be supposed that Mr. Schnackenberger lost no time in using his good fortune; indeed, a very slight jump would suffice to place him at liberty. Accordingly, when the sentinel had retired to a little distance, he flung his dreadnought out of the window—leaped upon it—and stood without injury on the outside of the prison.
“Who goes there?” cried the a-
- ↑ In the original Knecht Rupert. The allusion is to an old Christmas usage of North Germany: a person comes in disguise, in the character of an ambassador from heaven, with presents for all the young children who are reported to him as good and obedient: but those, who are naughty, he threatens and admonishes. See Coleridge’s Friend, vol. 2, p. 322.
