moens was unfortunate, and the unfortunate man is viewed
———through the dim shade his fate casts o'er him:
A shade that spreads its evening darkness o'er
His brightest virtues, while it shews his foibles
Crowding and obvious as the midnight stars,
Which in the sunshine of prosperity
Never had been descried———
Yet, after the strictest discussion, when all the causes are weighed together, the misfortunes of Camoens will appear the fault and disgrace of his age and country, and not of the man. His talents would have secured him an apartment in the palace of Augustus, but such talents are a curse to their possessor in an illiterate nation. In a beautiful digressive exclamation, at the end of the Lusiad, he gives us a striking view of the neglect which he experienced. Having mentioned how the greatest heroes of antiquity revered and cherished the Muse, he thus characterizes the nobility of his own age and country:
Alas! on Tago's hapless shore alone
The Muse is slighted, and her charms unknown.
For this, no Virgil here attunes the lyre,
No Homer here awakes the hero's fire.
Unheard, in vain their native poet sings,
And cold neglect weighs down the Muse's wings.
And
