monly, places merely where somebody is making money, it may be counterfeiting. The virtue of making two blades of grass grow where only one grew before does not begin to be superhuman.
Nevertheless, it was a relief to get back to our smooth, but still varied landscape. For a permanent residence, it seemed to me that there could be no comparison between this and the wilderness, necessary as the latter is for a resource and a background, the raw material of all our civilization. The wilderness is simple, almost to barrenness. The partially cultivated country it is which chiefly has inspired, and will continue to inspire, the strains of poets, such as compose the mass of any literature. Our woods are sylvan, and their inhabitants woodmen and rustics,—that is, selvaggia, and the inhabitants are salvages. A civilized man, using the word in the ordinary sense, with his ideas and associations, must at length pine there, like a cultivated plant, which clasps its fibres about a crude and undissolved mass of peat. At the extreme North, the voyagers are obliged to dance and act plays for employment. Perhaps our own woods and fields,—in the best wooded towns, where we need not quarrel about the huckleberries,—with the primitive swamps scattered here and there in their midst, but not prevailing over them, are the perfection of parks and groves, gardens, arbors, paths, vistas, and landscapes. They are the natural consequence of what art and refinement we as a people have,—the common which each village possesses, its true paradise, in comparison with which all elaborately and wilfully wealth-constructed parks and gardens are paltry imitations. Or, I would rather say, such were our groves twenty years ago. The poet's commonly, is not a log-
