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THE KORAN.

emplified it in his writings: and Job, the more remote countryman of Mohammed, in the most masterly manner had pourtrayed the divine attributes, and left that work, before which (critically speaking) the Koran, as a composition, dwindles into insignificance, notwithstanding all the aid derived from quarters subsequent to the time of Job[1], and therefore

  1. The mention of the Book of Job (perhaps the most ancient in the world, and written more than 3500 years since) awakens a spirit of curiosity and deep interest. The subject is a history, notoriously public at the time when it was composed. His prosperity, adversity, recovery, and singular advancement, is described. First, heaven smiled upon him, then successive misfortunes reduced him to the lowest penury and distress, and a loathsome disease brings him to the brink of the grave. If the virtues of Job shone in prosperity, they derived greater lustre from affliction: his patience and submission have been the wonder of all ages! Heaven, after this severe exercise, restored him to health, and rewarded his virtues. Three neighbouring princes, hearing of his calamities, visited him during his want and sickness, in order to console him. A finer subject dramatic invention could hardly discover. The style is similar to the odes in the Pentateuch. The poem is rhythmical, full of sublimity, in the tragic form, and the first rude essay of dramatic art. It may be thus described: