Page:The Murder of Miss Pebmarsh.pdf/4

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THE OLD MAN IN THE CORNER.
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the hand-bell, were very close to her hand. I doubt. though, if she could have written anything very clearly, but still it is impossible to say quite definitely—anyhow, it could only have been a matter of a few seconds.'

"Delightfully vague, you see," continued the man in the corner, "as these learned gentlemen's evidence usually is.

"Sergeant Evans then repeated the story which Pamela Pebmarsh had originally told him, and from which she had never departed in any detail. She had gone to the theatre, leaving her aunt all alone in the house; she had arrived home at one o'clock by the late Wednesday night train, and had gone straight into the sitting-room, where she had found her aunt dead before her writing-table.

"That she travelled up to London in the afternoon was easily proved; the station master and the porters had seen her go. Unfortunately for her alibi, however, those late 'theatre' trains on that line are always very crowded; the night had been dark and foggy, and no one at or near the station could swear positively to having seen her arrive home again by the train she named.

"There was one thing more; although the importance of it had been firmly impressed upon Pamela Pebmarsh, she absolutely refused to name the friends with whom she had been to the theatre that night, and who, presumably, might have helped her to prove at what hour she left London for home.

"Whilst all this was going on, I was watching Pamela's face intently. That the girl was frightened—nay more, terrified—there could be no doubt; the twitching of her hands, her eyes dilated with terror, spoke of some awful secret which she dared not reveal, but which she felt was being gradually brought to light. Was that secret the secret of a crime—a crime so horrible, so gruesome, that surely so young a girl would be incapable of committing?

"So far, however, what struck everyone mostly during this inquest was the seeming purposelessness of this cruel murder. The old lady, as far as could be ascertained, had no money to leave, so why should Pamela Pebmarsh have deliberately murdered the aunt who provided her, at any rate, with the comforts of a home? But the police, assisted by one of the most able detectives on the staff, had not effected so sensational an arrest without due cause; they had a formidable array of witnesses to prove their case up to the hilt. One of these was Jemima Gadd, the late Miss Pebmarsh's servant.

"She came forward attired in deep black, and wearing a monumental crape bonnet crowned with a quantity of glistening black beads. With her face the colour of yellow wax, and her thin lips pinched tightly together, she stood as the very personification of puritanism and uncharitableness.

"She did not look once towards Pamela, who gazed at her like some wretched bird caught in a net, which sees the meshes tightening round it more and more.

"Replying to the coroner, Jemima Gadd explained that on the Wednesday morning she had had a letter from her sister Luton, asking her to come over and see her some day.

"'As there was plenty of cold meat in the 'ouse,' she said, 'I asked the mistress if she could spare me until the next day and she said yes, she could. Miss Pamela and she could manage quite well.'

"'She said nothing about her niece going out, too, on the same day?' asked the coroner.

"'No,' replied Jemima acidly, 'she did not. And later on, at breakfast, Miss Pebmarsh said to Miss Pamela before me: "Pamela," she says, "Jemima is going to Luton and won't be back until to-morrow. You and I will be alone in the 'ouse until then."'

"'And what did the accused say?'

"'She says "All right, aunt."'

"'Nothing more?'

"'No, nothing more.'

"'There was no question, then, of the accused going out also, and leaving Miss Pebmarsh all alone in the house?'

"'None at all,' said Jemima emphatically. 'If there 'ad been I'd 'ave 'eard of it. I needn't 'ave gone that day. Any day would 'ave done for me.'

"She closed her thin lips with a snap, and darted a vicious look at Pamela. There was obviously some old animosity lurking beneath that gigantic crape monument on the top of Jemima's wax-coloured head.

"'You know nothing, then, about any disagreement between the deceased and the accused on the subject of her going to the theatre that day?' asked the coroner after a while.

"'No, not about that,' said Jemima curtly; 'but there was plenty of disagreements between those two, I can tell you.'

"'Ah? what about?'

"'Money mostly. Miss Pamela was over-fond of fine clothes, but Miss Pebmarsh, who was giving 'er a 'ome and 'er daily bread, 'adn't much money to spare