black robe reaching to the ground; their heads were covered with a hood, and their hair fell down over their shoulders and was braided. They rarely put sandals on their feet, except when about to start on a long journey.[1] Among the Totonacs six great ecclesiastics were elected, one as high-priest, one next to him in rank, and so on with the other four. When the high-priest died, the second priest succeeded him. He was anointed and consecrated with great ceremony; the unction used upon the occasion was a mixture of a fluid called in the Totonac tongue ole, and blood drawn at the circumcision of children.[2] There existed also among these people an order of monks devoted to their goddess Centeotl. They lived a very austere and retired life, and their character, according to the Totonac standard, was irreproachable. None but men above sixty years of age, who were widowers of virtuous life and estranged from the society of women, were admitted into this order. Their number was fixed, and when one of them died another was received in his stead. They were so much respected that they were not only consulted by the common people, but likewise by the great nobles and the high-priest. They listened to those who consulted them, sitting upon their heels, with their eyes fixed upon the ground, and their answers were received as oracles even by the kings of Mexico. They were employed in making historical paintings, which they gave to the high-priest that he might exhibit them to the people. The common Totonac priests wore long black cotton robes with hoods; their hair was braided like the other common priests of Mexico, and anointed with the blood of human sacrifices, but those who served the goddess Centeotl were always dressed in the skins of foxes or coyotes.[3] At Izacapu, in Mi-
