credit the attribution of these books to Moses, who could not have been an unintelligent compiler, and also discredits the theory of the divine inspiration of the Bible text. A comparison of the two narratives shows that all which relates to the creation of Eve, the Garden of Eden, and Adam's transgression, exists only in the Jehovist text. Thus it is evident that two versions of the Creation are given in Genesis. But there are traces in the Old Testament of a third legend, akin to that of the Babylonians, in which Marduk creates the world by virtue of a victory over the waters of chaos (Tiamat). This conception of a conflict between the creator and hostile forces was contrary to the monotheistic thesis, and has disappeared from our two versions of Genesis; but the suppression sufficiently proves that it was very ancient and had long been accepted."
The Martian finds that theologians have attempted to crawl out of desperate situations in their interpretation of the Old Testament by a method of reading into a passage or extracting out of it ideas altogether foreign to its original intent. This method they call "Allegory." By means of this process they have been able to extract any meaning which suits, their purposes, and by this method of juggling could prove anything. A classic example is that licentious piece of literature called the "Song of Solomon," in which it is claimed that a woman's breasts, thighs, and belly are the symbols of the union of Jahveh and the Synagogue.
Continuing his researches, the Martian notices a number of passages in the Old Testament that lead him to the conclusion that the Hebrews were originally polytheists. The name Elohim, he finds, is plural (singular, Eloah), meaning the gods. Again, in another passage of Genesis, God is described as saying, "Let us make man in our image (I, 26), and further on, "The
