This volume aims to document the New Negro culturally and socially,—to register the transformations of the inner and outer life of the Negro in America that have so significantly taken place in the last few years. There is ample evidence of a New Negro in the latest phases of social change and progress, but still more in the internal world of the Negro mind and spirit. Here in the very heart of the folk-spirit are the essential forces, and folk interpretation is truly vital and representative only in terms of these. Of all the voluminous literature on the Negro, so much is mere external view and commentary that we may warrantably say that nine-tenths of it is about the Negro rather than of him, so that it is the Negro problem rather than the Negro that is known and mooted in the general mind. We turn therefore in the other direction to the elements of truest social portraiture, and discover in the artistic self-expression of the Negro to-day a new figure on the national canvas and a new force in the foreground of affairs. Whoever wishes to see the Negro in his essential traits, in the full perspective of his achievement and possibilities, must seek the enlightenment of that self-portraiture which the present developments of Negro culture are offering. In these pages, without ignoring either the fact that there are important interactions between the national and the race life, or that the attitude of America toward the Negro is as important a factor as the attitude of the Negro toward America, we have nevertheless concentrated upon self-expression and the forces and motives of self-determination. So far as he is culturally articulate, we shall let the Negro speak for himself.
Yet the New Negro must be seen in the perspective of a New World, and especially of a New America. Europe seething in a dozen centers with emergent nationalities, Palestine full of renascent Judaism—these are no more alive with the
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