THE NEGRO DIGS UP HIS PAST
Arthur A. Schomburg
The American Negro must remake his past in order to make his future. Though it is orthodox to think of America as the one country where it is unnecessary to have a past, what is a luxury for the nation as a whole becomes a prime social necessity for the Negro. For him, a group tradition must supply compensation for persecution, and pride of race the antidote for prejudice. History must restore what slavery took away, for it is the social damage of slavery that the present generations must repair and offset. So among the rising democratic millions we find the Negro thinking more collectively, more retrospectively than the rest, and apt out of the very pressure of the present to become the most enthusiastic antiquarian of them all.
Vindicating evidences of individual achievement have as a matter of fact been gathered and treasured for over a century: Abbé Gregoire’s liberal-minded book on Negro notables in 1808 was the pioneer effort; it has been followed at intervals by less known and often less discriminating compendiums of exceptional men and women of African stock. But this sort of thing was on the whole pathetically over-corrective, ridiculously over-laudatory; it was apologetics turned into biography. A true historical sense develops slowly and with difficulty under such circumstances. But to-day, even if for the ultimate purpose of group justification, history has become less a matter of argument and more a matter of record. There is the definite desire and determination to have a history, well documented, widely known at least within race circles, and administered as a stimulating and inspiring tradition for the coming generations.
Gradually as the study of the Negro’s past has come out of the vagaries of rhetoric and propaganda and become sys-
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