THE COUNTING-HOUSE
arily round cheeks, and his whole face positively shining with sleekness.
'What is it you wish?' he asked me.
'To dry my things.'
'There's no place here.'
'I didn't know this was the counting-house; I am willing, though, to pay . . .'
'Well, perhaps it could be managed here,' rejoined the fat man; 'won't you come inside here?' (He led me into another room, but not the one he had come from.) 'Would this do for you?'
'Very well. . . . And could I have tea and milk?'
'Certainly, at once. If you'll meantime take off your things and rest, the tea shall be got ready this minute.'
'Whose property is this?'
'Madame Losnyakov's, Elena Nikolaevna.'
He went out. I looked round: against the partition separating my room from the office stood a huge leather sofa; two high-backed chairs, also covered in leather, were placed on both sides of the solitary window which looked out on the village street. On the walls, covered with a green paper with pink patterns on it, hung three immense oil paintings. One depicted a setter-dog with a blue collar, bearing the inscription: 'This is my consolation'; at the dog's feet flowed a river; on the opposite bank of the river a hare of quite disproportionate size with ears cocked up was sitting under a pine tree. In another picture
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