TWO COUNTRY GENTLEMEN
Apollonitch's interest in his estate is of a rather superficial description; not to be behind the age, he ordered a threshing-machine from Butenop's in Moscow, locked it up in a barn, and then felt his mind at rest on the subject. Sometimes on a fine summer day he would have out his racing droshky, and drive off to his fields, to look at the crops and gather corn-flowers. Mardary Apollonitch's existence is carried on in quite the old style. His house is of an old-fashioned construction; in the hall there is, of course, a smell of kvas, tallow candles, and leather; close at hand, on the right, there is a sideboard with pipes and towels; in the dining-room, family portraits, flies, a great pot of geraniums, and a squeaky piano; in the drawing-room, three sofas, three tables, two looking-glasses, and a wheezy clock of tarnished enamel with engraved bronze hands; in the study, a table piled up with papers, and a bluish-coloured screen covered with pictures cut out of various works of last century; a bookcase full of musty books, spiders, and black dust; a puffy armchair; an Italian window; a sealed-up door into the garden. . . . Everything, in short, just as it always is. Mardary Apollonitch has a multitude of servants, all dressed in the old-fashioned style; in long blue full coats, with high collars, shortish pantaloons of a muddy hue, and yellow waistcoats. They address visitors as 'father.' His estate is under the superintendence of an agent, a peasant with a beard that covers the whole of his sheepskin; his
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