II
YERMOLAÏ AND THE MILLER'S WIFE
One evening I went with the huntsman Yermolaï 'stand-shooting.' . . . But perhaps all my readers may not know what 'stand-shooting' is. I will tell you. A quarter of an hour before sunset in spring-time you go out into the woods with your gun, but without your dog. You seek out a spot for yourself on the outskirts of the forest, take a look round, examine your caps, and glance at your companion. A quarter of an hour passes; the sun has set, but it is still light in the forest; the sky is clear and transparent; the birds are chattering and twittering; the young grass shines with the brilliance of emerald. . . . You wait. Gradually the recesses of the forest grow dark; the blood-red glow of the evening sky creeps slowly on to the roots and the trunks of the trees, and keeps rising higher and higher, passes from the lower, still almost leafless branches, to the motionless, slumbering tree-tops. . . . And now even the topmost branches are darkened; the purple sky fades to dark-blue. The forest fragrance grows
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