A SPORTSMAN'S SKETCHES
but the tranquil and resolute expression of her face, her broad, white brow, her thick hair, and especially her brown eyes—not large, but clear, sensible and lively—would have made an impression on anyone in my place. She seemed to be following every word Radilov uttered—not so much sympathy as passionate attention was expressed on her face. Radilov in years might have been her father; he called her by her Christian name, but I guessed at once that she was not his daughter. In the course of conversation he referred to his deceased wife—'her sister,' he added, indicating Olga. She blushed quickly and dropped her eyes. Radilov paused a moment and then changed the subject. The old lady did not utter a word during the whole of dinner; she ate scarcely anything herself, and did not press me to partake. Her features had an air of timorous and hopeless expectation, that melancholy of old age which it pierces one's heart to look upon. At the end of dinner Fyodor Miheitch was beginning to 'celebrate' the hosts and guests, but Radilov looked at me and asked him to be quiet; the old man passed his hand over his lips, began to blink, bowed, and sat down again, but only on the very edge of his chair. After dinner I returned with Radilov to his study.
In people who are constantly and intensely preoccupied with one idea, or one emotion, there is something in common, a kind of external resemblance in manner, however different may be their qualities, their abilities, their position in
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