MY NEIGHBOUR RADILOV
The good man could not help saying, "Well, what an absurd constitution; the man's dying; he's certain to die, and he keeps hanging on, lingering, taking up space for nothing, and keeping out others." Well, I thought to myself, "So you're in a bad way, Mihal Mihalitch. . . ." And, after all, I got well, and am alive till now, as you may see for yourself. You are right, to be sure.'
'In any case I am right,' I replied; 'even if you had died, you would just the same have escaped from your horrible position.'
'Of course, of course,' he added, with a violent blow of his fist on the table. 'One has only to come to a decision. . . . What is the use of being in a horrible position? . . . What is the good of delaying, lingering.'
Olga rose quickly and went out into the garden.
'Well, Fedya, a dance!' cried Radilov.
Fedya jumped up and walked about the room with that artificial and peculiar motion which is affected by the man who plays the part of a goat with a tame bear. He sang meanwhile, 'While at our Gates.' . . .
The rattle of a racing droshky sounded in the drive, and in a few minutes a tall, broad-shouldered and stoutly made man, the peasant proprietor, Ovsyanikov, came into the room.
But Ovsyanikov is such a remarkable and original personage that, with the reader's permission, we will put off speaking about him till the next sketch. And now I will only add for myself that
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