plications of Asiatic theology. "Under the overpowering influence of these sickly imaginations the moral teachings of Gautama have been almost hid from view. The theories grew and flourished; each new step, each new hypothesis, demanded another; until the whole sky was filled with forgeries of the brain, and the nobler and simpler lessons of the founder of the religion were smothered beneath the glittering mass of metaphysical subtleties."[1]
In the third century B.C. Buddhism was gaining wealth and power, and the little groups of simple huts in which the teachers of the Order gathered in the rainy season were giving place to substantial monastic buildings. To this period belong the beginnings of Buddhistic art. Now if we remember how recent was the adventure of Alexander, that all the Punjab was still under Seleucid rule, that all India abounded with Greek adventurers, and that there was still quite open communication by sea and land with Alexandria, it is no great wonder to find that this early Buddhist art was strongly Greek in character, and that the new Alexandrian cult of Serapis and Isis was extraordinarily influential in its development.
The kingdom of Gandhara on the northwest frontier near Peshawar, which flourished in the third century B.C., was a typical
- ↑ Rhys Davids, Buddhism.