enforced, and also because the element of colour is sadly lacking in modern churches both English and foreign.
The frontal, if accurately made with a backing of union cloth, needs no frame. It can be hung by rings from hooks under the altar-slab, without any rod or wooden lath; and it may be folded up when not in use. This seems to have been the general ancient custom. It dispenses with the need of a large chest; and most frontals look the better for not hanging stiffly. But for some embroidery a frame is necessary.
It is generally safer to avoid embroidery altogether. It is one of the most difficult and expensive of the arts, and nearly all so-called ecclesiastical work is thoroughly bad—fussy, vulgar, weak and ugly. If it is used at all it must be of the best, and the church-furnisher must be shunned. A real artist must be employed, otherwise the money spent will be worse than wasted.[1] Amateurs should not attempt embroidery, unless they have learned the art from a competent teacher (and there are few such); but the most effective stitch is a simple one, and therefore amateurs can usefully work under an artist who carries out the design and chooses the silks.
On the other hand, plain materials should not be used, but figured silks, or mixtures of silk and wool, etc. There are even one or two printed Morris chintzes which make beautiful frontals.
It requires experience as well as natural gifts to know how a material will work out when it is taken out of a shop and set up in the peculiar light of a church. To avoid disaster (and most frontals are nothing less than ecclesiastical calamities), amateurs should only attempt frontals under advice.
The frontal should have a fringe along the bottom,
- ↑ The Clergy and Artists’ Association (6 Millbank Street, S. W.) will recommend good embroiderers and teachers; Morris (449 Oxford Street, W.) also.
