from loom and shuttle roused in frantic haste by Dionysus. O hidden cave of the Curetes! O hallowed haunts in Crete, that saw Zeus born, where Corybantes with crested helms devised for me in their grotto the rounded timbrel of ox-hide, mingling Bacchic minstrelsy with the shrill[1] sweet accents of the Phrygian flute, a gift bestowed by them on mother Rhea, to add its crash of music to the Bacchantes’ shouts of joy; but frantic satyrs won it from the mother-goddess for their own, and added it to their dances in festivals, which gladden the heart of Dionysus, each third recurrent year. Oh! happy that votary, when[2] from the hurrying revel-rout he sinks to earth, in his holy robe of fawn-skin, chasing the goat to drink its blood, a banquet sweet of flesh uncooked, as he hastes to Phrygia’s or to Libya’s hills; while in the van the Bromian god exults with cries of Evoe. With milk and wine and streams of luscious honey flows the earth, and Syrian incense smokes. While the Bacchante holding in his hand a blazing torch of pine uplifted on his wand waves it, as he speeds along, rousing wandering votaries, and as he waves it cries aloud with wanton tresses tossing in the breeze; and thus to crown the revelry, he raises loud his voice, “On, on, ye Bacchanals, pride of Tmolus with its rills of gold! to the sound of the booming drum, chanting in joyous strains the praises of your joyous god with Phrygian accents lifted high, what time the holy lute with sweet complaining note invites you to your hallowed sport, according well with feet that hurry wildly to the hills; like a colt that gambols at its mother’s side in the pasture, with gladsome heart each Bacchante bounds along.”
Tei. What loiterer at the gates will call Cadmus from the house, Agenor’s son, who left the city of Sidon and founded here the town of Thebes? Go one of you, announce to him
