life he was deaf; yet remained true to the character which was given to him by Aaron Hill, who says,
"You look abroad serene
And marking both extremes, pass clear between."
After the publication of "Grongar Hill," he continued to write verse. Italy lived impressively in his memory. He probably took many notes during his tour, and certainly made a preparatory sketch of "The Ruins of Rome," which was published in its final shape in 1740. Portions of it have been praised by Johnson, Hervey, Wordsworth and others. It is, indeed, a dignified and impassioned meditation. Like "Grongar Hill," it hints at the ampler manner of the next century. In execution it is sometimes tame, and the poet here uses Miltonisms for the first time; but the conception, and some of the thoughts, might well remind us of Shelley. Here, again, Dyer is to be respected as an interesting link, though "The Ruins of Rome" appears less like a finished poem than a first draft by a powerful hand.
In 1740, or at about that time, he married a Miss Ensor; and failing health and, we may surmise, an aptitude of temperament, led him into the Church. He was presented by "one Mr Harper" to the living of Catthorpe in Leicestershire, in the following year. In 1751, he left Catthorpe for Belchford in Lincolnshire, to which he was appointed by Lord
