Page:The Poetical Works of William Collins (1830).djvu/42

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xxxii
MEMOIR OF COLLINS.

afflicting malady to which he was subject, with a calm and benign aspect, as if seeking refuge from his misfortunes in the consolations of the gospel, which appears open on a table before him, whilst his lyre and one of his best compositions lie neglected on the ground. Upon the pediment of the table are placed two female ideal figures in relief, representing love and pity, entwined each in the arms of the other; the proper emblems of the genius of his poetry." It bears the following epitaph from the pen of Hayley:

"Ye who the merits of the dead revere,
Who hold misfortune's sacred genius dear,
Regard this tomb, where Collins, hapless name,
Solicits kindness with a double claim.
Though nature gave him, and though science taught
The fire of fancy, and the reach of thought,
Severely doom'd to penury's extreme,
He pass'd in maddening pain life's feverish dream,
While rays of genius only served to show
The thickening horror, and exalt his woe.
Ye walls that echo'd to his frantic moan,
Guard the due records of this grateful stone;
Strangers to him, enamour'd of his lays,
This fond memorial to his talents raise.
For this the ashes of a bard require,
Who touch'd the tenderest notes of pity's lyre;
Who join'd pure faith to strong poetic powers;
Who, in reviving reason's lucid hours,
Sought on one book his troubled mind to rest,
And rightly deem'd the book of God the best."

Collins's character has been portrayed by all