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THE POETRY OF ARCHITECTURE.

the green arcades, amidst dark cool grottoes, full of the voice of dashing waters, and of the breath of myrtle blossoms, with the blue of the deep lake and the distant precipice mingling at every opening with the eternal snows glowing in their noontide silence, is one not unworthy of Italy's most noble remembrances.

Having considered the propriety of the approach, it remains for us to investigate the nature of the feelings excited by the villas of the Lago di Como in particular, and of Italy in general.

We mentioned that the bases of the mountains bordering the Lake of Como were chiefly composed of black marble; black, at least, when polished, and very dark grey in its general effect. This is very finely stratified in beds varying in thickness from an inch to two or three feet; and these beds, taken of a medium thickness, form flat slabs, easily broken into rectangular fragments, which, being excessively compact in their grain, are admirably adapted for a building material. There is a little pale limestone[1] among the hills to the south; but this


  1. Pale limestone, with dolomite. A coarse dolomite forms the mass of mountains on the east of Lake Lecco, Monte Campione, &c., and part of the other side, as well as the Monte del Novo, above Cadenabia: but the bases of the hills, along the shore of the Lake of Lecco, and all the mountains on both sides of the lower limb of Como, are black limestone. The whole northern half of the lake is bordered by gneiss or mica slate, with tertiary deposit where torrents enter it. So that the dolomite is only obtainable by ascending the hills, and incurring considerable expense of carriage; while the rocks of the shore split into blocks of their own accord, and are otherwise an excellent material.