trade, surmounted by statues at intervals. The windows of the uppermost floor are usually square, often without any architrave. Those of the principal floor are surrounded with broad architraves, but are frequently destitute of frieze or cornice. They have usually flat bands at the bottom, and their aperture is a double square. Their recess is very deep, so as not to let the sun fall far into the interior. The interval between them is very variable. In some of the villas of highest pretensions, such as those on the banks of the Brenta, that of Isola Bella, and others, which do not face the south, it is not much more than the breadth of the two architraves, so that the rooms within are filled with light. When this is the case, the windows have friezes and cornices. But, when the building fronts the south, the interval is often very great, as in the case of the Villa Forro. The ground-floor windows are frequently set in tall arches, supported on deeply engaged pilasters, as in Fig. 28, p. 93 (Somma-Riva). The door is not large, and never entered by high steps, as it generally opens on a terrace of considerable height, or on a wide landing-place at the head of a flight of fifty or sixty steps descending through the gardens.
Now, it will be observed, that, in these general forms, though there is no splendor, there is great dignity. The lines throughout are simple to a degree, entirely uninterrupted by decorations of any kind, so that the beauty of their proportions is left visible and evident We shall see hereafter that ornament in Grecian architecture, while, when well managed, it always adds to its grace, invaria-
