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THE POETRY OF ARCHITECTURE.
133

II. The Lowland Villa.—England.

Although, as we have frequently observed, our chief object in these papers is, to discover the connexion existing between national architecture and character, and, therefore, is one leading us rather to the investigation of what is, than of what ought to be, we yet consider that the subject would be imperfectly treated, if we did not, at the conclusion of the consideration of each particular rank of building, endeavor to apply such principles as may have been demonstrated to the architecture of our country, and to discover the beau idéal of English character, which should be preserved through all the decorations which the builder may desire, and through every variety which fancy may suggest. There never was, and never can be, a universal beau idéal in architecture, and the arrival at all local models of beauty would be the task of ages; but we can always, in some degree, determine those of our own lovely country. We cannot, however, in the present case, pass from the contemplation of the villa of a totally different climate, to the investigation of what is beautiful here, without the slightest reference to styles now, or formerly, adopted for our own "villas," if such they are to be called; and, therefore, it will be necessary to devote a short time to the observance of the peculiarities of such styles, if we possess them, or, if not, of the causes of their absence.

We have therefore headed this paper, "The Villa, Eng-