quick and business-like, enjoying its everyday occupations, and active in its ordinary engagements.
Again, it is aregularly planned, mechanical, well-disciplined building; each of its parts answering to its opposite, each of its ornaments matched with similarity. The Italian (where it has no high pretence to architectural beauty) is a rambling and irregular edifice, varied with uncorresponding masses: and the mind of the Italian we find similarly irregular, a thing of various and ungovernable impulse, without fixed principle of action; the Englishman's, regular and uniform in its emotions, steady in its habits, and firm even in its most trivial determinations.
Lastly, the size of the whole is diminutive, compared with the villas of the south, in which the effect was always large and general. Here the eye is drawn into the investigation of particular points, and miniature details; just as, in comparing the English and Continental cottages, we found the one characterised by a minute finish, and the other by a massive effect; exactly correspondent with the scale of the features and scenery of their respective localities.
It appears, then, from the consideration of these several points, that, in our antiquated style of villa architecture, some national feeling may be discovered; but in any buildings now raised there is no character whatever: all is ridiculous imitation, and despicable affectation; and it is much to be lamented, that now, when a great deal of attention has been directed to architecture on the part of the public, more efforts are not made to turn that attention
