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THE POETRY OF ARCHITECTURE.

minds which are kingly among their fellows, to excite the highest energies of humanity, to furnish strength to the lordliest intellect, and food for the holiest emotions of the human soul. The presence of life is, indeed, necessary to its beauty, but of life congenial with its character; and that life is not congenial which thrusts presumptuously forward, amidst the calmness of the universe, the confusion of its own petty interests and grovelling imaginations, and stands up with the insolence of a moment, amidst the majesty of all time, to build baby fortifications upon the bones of the world, or to sweep the copse from the corrie, and the shadow from the shore, that fools may risk, and gamblers gather, the spoil of a thousand summers.

It should therefore be remembered, by every proprietor of land in hill country, that his possessions are the means of a peculiar education, otherwise unattainable, to the artists, and, in some degree, to the literary men, of his country; that, even in this limited point of view, they are a national possession, but much more so when it is remembered how many thousands are perpetually receiving from them, not merely a transitory pleasure, but such thrilling perpetuity of pure emotion, such lofty subject for scientific speculation, and such deep lessons of natural religion, as only the work of a Deity can impress, and only the spirit of an immortal can feel: they should remember that the slightest deformity, the most contemptible excrescence, can injure the effect of the noblest natural scenery, as a note of discord can annihilate the expression of the purest