Jump to content

Page:The Poetry of Architecture.djvu/176

From Wikisource
This page has been validated.
164
THE POETRY OF ARCHITECTURE.

gle scenery; perpetually presenting prospects of exquisite distant beauty, and possessing, in its valley and river scenery, fine detached specimens of the natural "green country." This distinction we did not make in speaking of the cottage; the effect of which, owing to its size, can extend only over a limited space; and this space, if in picturesque blue country, must be either part of its monotonous cultivation, when it is to be considered as belonging to the simple blue country, or part of its dingle scenery, when it becomes green country; and it would not be just, to suit a cottage, actually placed in one color, to the general effect of another color, with which it could have nothing to do. But the effect of the villa extends very often over a considerable space, and becomes part of the large features of the district; so that the whole character and expression of the visible landscape must be considered, and thus the distinction between the two kinds of blue country becomes absolutely necessary. Of the first, or simple, we have already adduced, as an example, the greater part of the south of England. Of the second, or picturesque, the cultivated parts of the North and East Ridings of Yorkshire, generally Shropshire, and the north of Lancashire, and Cumberland, beyond Caldbeck Fells, are good examples; perhaps better than all, the country for twelve miles north, and thirty south, east, and west, of Stirling.

Now, the matter-of-fact business-like activity of simple blue country has been already alluded to. This attribute